Aaron Shorr

Professor of Piano
Royal Conservatoire of Scotland

Since settling in the United Kingdom in 1984, Aaron Shorr has established an international career as soloist, chamber musician and educator. As well as appearing as soloist at London’s South Bankin over thirty concertos, he has toured extensively as a recitalist and chamber musician worldwide.

 

More recent performances have included tours of Italy, Germany, France, Spain, Italy, Portugal, Holland, Turkey, Australia, China, Japan, Korea, Mexico and the United States. He has performed extensively in the United Kingdom appearing in concerti, solo recitals and chamber music concerts at the Wigmore Hall, St. Martins in the Fieldand St. John’s Smith Squareand festivals throughout Britain. He has also appeared in major European Festivals including the BBC Proms, Menuhin Festival, Munich Biennale, Hanover Expo, Paganiniana in Genoa, Venice Biennale, Instrumenta Festival Mexico, the Skopje Days of New Music, Cyprus International Contemporary Music Festival and the Istanbul Biennale. He has broadcast frequently for radio, including BBC Radio 3, BBC Scotland, Classic FM, Bavarian Radio, Swiss Classical Radio, ABC Australia, and WQXR New York.

 

Aaron Shorr has recorded for Naxos, Mettier, Olympia, NMCand Meridian. His recordings of Beethoven with duo partner, Peter Sheppard Skaerved, have won wide acclaim. Research on composers in Beethoven’s inner circle of friends and contemporaries has yielded modern recording premieres of works by Mayseder, Ries and Archduke Rudolph as well as unknown chamber version of Beethoven’s Third Symphony. He has also enjoyed close associations with composers and has given countless premieres and performances of works, including those by Hans Werner Henze, George Rochberg, Sadie Harrison, David Matthews, Paul Moravec, Elliott Schwartz, Jorg Widmann, Michael Alec Rose, Jeremy Dale Roberts, Judith Bingham, Rory Boyle, Marek Pasieczny,and Sidika Ozdil.

 

Aaron Shorr studied at the Manhattan School of Music in New York and the Royal Academy of Music in London, where he received their most prestigious prizes for performance. His teachers have included Alexander Kelly, Solomon Mikowsky, Gary Graffman, André Watts, John Browningand chamber music with Joseph Seiger, former duo partner of legendary violinist Mischa Elman.

 

Aaron Shorr was a professor and researcher at the Royal Academy of Music in London since 1992 before going on head the keyboard department of the Royal Conservatoire of Scotland in 2006. His students have gone on to win major prizes at international competitions including the Rubinstein International Piano Master Competition, Tel Aviv, UNISA, Pretoria, Rio, Brazil, Munich, St. Petersburg, Tokyo, Vines – Spain, Piano Campus – Paris, Redding-Piette and the Schubert Competition in the Czech Republic. His students have also won prizes in major UK competitions, including the Royal Overseas League, Brandt, Bromsgrove, Park Lane Debut Series and the Moray Piano Competition. In 2011, he became Artistic director and Chair of the Jury for The Scottish International Piano Competition.

 

In 2006, Aaron Shorr was appointed Head of Keyboard at the Royal Conservatoire of Scotland. In 2013, he was awarded a Professorship from the RCS and from 2013-2015, also served as Acting Director of Music at the RCS.

Hortense Cartier-Bresson 

Professor of Piano

Conservatoire de Paris (CNSMDP)

A singular personality in the classical music world, Hortense Cartier-Bresson is a musician much in demand in her native France and abroad. In 2011 she was made professor of piano at the Conservatoire National Supérieur in Paris. Prior to that she was a teacher of piano and chamber music at the National Conservatoire of Boulogne-Bilancourt for many years. It was whilst in this role that she led a chamber orchestra for 5 years.

Hortense Cartier-Bresson attended the Conservatoire National Supérieure de Paris as a student, winning 5 first prizes: the prize for piano; chamber music; harmony; counterpoint and accompaniment. In 1979 she met the great pianist Gÿorgy Sebök after she was admitted to the ‘cycle de perfectionnement’ and decided to travel to the United States to be taught by him at the University of Indiana, Bloomington.

Cartier-Bresson quickly became regarded as one of the most remarkable pianists of her generation, winning 3rd prize in the 1981 Liszt-Bartok Competition in Budapest (first prize was not awarded that year). From there she set out on a brilliant career which led to recitals and solo performances on the international stage with renowned orchestras such as l’Orchestre de Paris, under the baton of Ricardo Chailly and the Detroit Symphony Orchestra under Antal Dorati. 

Cartier-Bresson's recording work has been devoted to the works of Bartok (Accord/Universal), as well as Chopin’s two concertos, in the versions for string quintet and piano (Maestria Records), which have been warmly received by the press.

A passionate and individual musician, Hortense Cartier-Bresson approaches music of all kinds with an absolute integrity. Particularly noted and appreciated as a chamber musician, she has worked with musicians such as Roger Muraro; Pierre Fouchenneret; Raphaël Oleg, Ayako Tanaka; Philippe Graffin; Francois Salque; Xavier Gagnepain; Nicolas Baldeyrou and the Ebène Quartet. She is the artistic director of the chamber music festival Musique à la Prée.

A recognised pedagogue, she has been invited to give masterclasses in France and abroad in Finland, Germany, Switzerland and Spain and she holds regular summer schools, notably at L’Académie Internationale d’Été in Nice and at the Festival MusicAlp. She is also an invited member of the jury of the major international competitions.

Ugnė Peištaraitė

Performance science

Ugnė is a PhD candidate and graduate teaching assistant for Music Performance Psychology at the Centre for Performance Science, Royal College of Music (RCM), where she is investigating the role of emotional intelligence for musicians under the supervision of Dr Terry Clark, Dr Rosie Perkins and Prof Aaron Williamon.

 

Ugnė is an RCM Doctoral Bursary and Doctor Knobel Fund Award holder, as well as generously supported by Mr Samih Sawiris, SEMPRE and the Lithuanian Council for Culture. In 2018, she graduated with a Distinction from Master of Science in Performance Science at the RCM (partly supported by Vilnius Perkūnas Rotary Club), where she investigated the relationship between emotion regulation processes and self-regulated learning in musicians. The research came out with significant findings and was presented at the SEMPRE Graduate Conference in the University of Cambridge, BFS/RMA Graduate Conference in the University of Sheffield, and at the International Symposium for Performance Science 2019 in Melbourne.

 

Besides that, in 2019 Ugnė was accepted and awarded a grant in a six-month MedTech SuperConnector project run by Imperial College (London), which provides support for early career academic researchers to develop and realise entrepreneurial ideas.

Having studied classical piano performance and pedagogy, Ugnė is also a collaborative pianist and educator. In 2009 she graduated from J. Naujalis Music Gymnasium (Kaunas, Lithuania), where she studied with teacher-expert Birutė Kumpikienė. She then studied for her Bachelor and Master Diplomas at the Lithuanian Music and Theatre Academy, where she was under the tutelage of Prof Aleksandra Žvirblytė. Ugnė is a laureate of several international music competitions in Italy and Lithuania, and has also participated in masterclasses with internationally renowned pianists, such as Christopher Elton, Eugen Indjic, Angela Hewitt. Ugnė participated in the Erasmus Exchange program, studying at the Sibelius Academy in Helsinki, where she was first introduced to performance science by Dr Päivi Arjas.

 

As a chamber musician, Ugnė co-founded the piano trio ‘Colors’ and won several international competitions as well as performed throughout Europe. In 2015 the ensemble was awarded the Merit Diploma by Lithuanian Republic President Dalia Grybauskaitė in recognition of their achievements. As an educator, Ugnė undertook traineeship as a piano teacher and accompanist at the Braganca Music and Dance Conservatory and later as accompanist at the Lisbon Superior School of Music in Portugal. In 2015-2017, she was a piano lecturer at the annual Adult Summer Music Academy held at the LMTA.

The greatest Ugnė’s interest is music and human-being, and she is most passionate about the point where these two phenomenons merge into an act of so-called music performance, which she is investigating through various lenses of her professional life. Being a performer, educator, coach and researcher provides her with various and diverse insights from different angles into the same phenomenon. Above all, Ugnė’s main goal is to help musicians reach their peak performance.

 

About the lecture:
 

Emotional intelligence (EI) is a core element in human cognition, behaviour and social interaction. EI refers to the identification, expression, understanding and regulation of personal or others’ emotions. It holds significant potential to impact human performance, well-being, relationships and career. Recently evolving research on music performers has found that EI correlates to higher expertise, motivation and self-esteem, and lower levels of music performance anxiety. It also predicts the experience of flow and higher performance. All these components and more are integral in how musicians come to perform, interact and build careers. In the seminar, empirical research findings will be introduced and discussed in more detail (though avoiding scientific jargon as much as possible), by steering the main attention towards a real-life practical application for professional musicians.

Julijus Grickevičius

Self-management & music business

Julijus Grickevičius is a Deputy Director General and Marketing Director at the Lithuanian National Opera and Ballet Theater.


His career started as a public relations representative of the Kaunas Dance Theater „Aura“ and its international dance festival. These responsibilities formed his personal concept of The Festival as an art event as well as developed his organizational and personal skills in the field of public relations work. Between 2009 and 2015 Julijus worked as a public relations representative at the Kaunas City Symphony Orchestra and Kaunas Big Band.


One of the most memorable stages of J. Grickevičius's carrer is his own jazz festival "VMU Jazz Connections", which he organized for six years. This festival became known as an uncompromising and alternative music space in Kaunas. 


Since 2011 J. Grickevičius worked in the Board of the Lithuanian Jazz Federation, where in 2017, he was appointed to be a President of the Board. He regularly collaborates with festivals including Vilnius Mama Jazz, Nida Jazz Marathon, Broma Jazz and others.


Julijus also worked at the Lithuanian National Philharmonic Society Information Department where one of the main projects was the establishment of the first digital concert hall in the Baltic States. He also contributed to the Vilnius Festival and Vilnius Piano Festival which where organized by Vilnius Philharmonic.

Kamilė Rupeikaitė

The musical heritage of Litvaks

Musicologist Dr. Kamilė Rupeikaitė completed her Master degree at the Lithuanian Academy of Music and Theatre in 1999, studied at the European Institute for Jewish Studies Paideia in Stockholm (2004 – 2005), and defended doctoral dissertation on semantics of musical instruments in the Bible at Lithuanian Academy of Music and Theatre in 2006.

 

She worked as an editor for the classical music program on Lithuanian State Radio (1998 – 2001), as an editor of musical column at the cultural weekly „7 Days of Arts“ (2007-2011), and was associate professor of music history at the Lithuanian Academy of Music and Theatre (2007-2019).

Currently she has been director of the Vilna Gaon State Jewish Museum since April 2019 (before that, since 2009 she has been deputy director of the museum's activities), and also is the researcher at Lithuanian Culture Research Institute.

 

Her scientific research interests include music in the Bible, symbolism of musical instruments in different cultures, use of biblical motives in professional music, multicultural contexts, musical heritage of the Lithuanian Jews, and the work of Lithuanian composer Anatolijus Šenderovas (1945-2019). She has delivered papers at the international conferences held in Israel, Finland, Great Britain, Latvia, Lithuania, Poland, Estonia and Slovenia. Her scientific articles have been published in peer reviewed journals Lithuanian Musicology [Lietuvos muzikologija], Studies in Art [Menotyra] and other editions.

Rupeikaitė has lectured on her topics of interest at the Vilna Gaon State Jewish Museum, Lithuanian Jewish Community, Kėdainiai Multicultural Center, Vilnius Choral Synagogue, International Cello Festival in Klaipėda and elsewhere.

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